How Long Was Ulysses in Jail in O Brother Where Art Thou
| O Blood brother, Where Fine art Yard? | |
|---|---|
Theatrical release affiche | |
| Directed by | Joel Coen |
| Written by |
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| Based on | The Odyssey by Homer |
| Produced by | Ethan Coen |
| Starring |
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| Cinematography | Roger Deakins |
| Edited past |
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| Music past | T Bone Burnett |
| Product |
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| Distributed by |
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| Release dates |
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| Running time | 107 minutes |
| Countries |
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| Linguistic communication | English |
| Budget | $26 million[9] |
| Box role | $72 million[seven] |
O Brother, Where Art Thou? is a 2000 crime one-act drama musical picture written, produced, co-edited and directed by Joel and Ethan Coen and starring George Clooney, John Turturro, and Tim Blake Nelson, with Chris Thomas King, John Goodman, Holly Hunter, and Charles Durning in supporting roles.
The film is set in 1937 rural Mississippi during the Great Depression. Its story is a modernistic satire loosely based on Homer'south epic Greek poem The Odyssey that incorporates social features of the American South.[x] The championship of the film is a reference to the Preston Sturges 1941 movie Sullivan'southward Travels, in which the protagonist is a director who wants to moving-picture show O Blood brother, Where Fine art G?, a fictitious book about the Slap-up Depression.[11]
Much of the music used in the movie is period folk music.[12] The film was i of the offset to extensively utilize digital color correction to give the film an autumnal, sepia-tinted look.[xiii] Released past Buena Vista Pictures (through Touchstone Pictures) in North America, French republic, Germany, Italia, and Spain and past Universal Pictures in other countries, the film was met with a positive critical reception, and the soundtrack won a Grammy Award for Album of the Year in 2002, making it the only move moving picture soundtrack to accept ever received the accolade.[14] The state and folk musicians who were dubbed into the film include John Hartford, Alison Krauss, Dan Tyminski, Emmylou Harris, Gillian Welch, Ralph Stanley, Chris Abrupt, Patty Loveless, and others. They joined to perform the music from the film in the Down from the Mountain concert tour, which was filmed for consumer consumption via TV and DVD.[12] [15]
Plot [edit]
3 convicts, Pete and Delmar led by Ulysses Everett McGill, escape from a chain gang and set out to retrieve a treasure Everett said was buried before the surface area is flooded to make a lake. The three get a lift from a blind homo driving a handcar on a railway. He tells them they will notice a fortune, only not the i they seek. The trio make their way to the house of Wash, Pete'south cousin. They sleep in the befouled, but Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. Wash's son helps them escape.
They pick upwards Tommy Johnson, a young black man, who claims he sold his soul to the devil in exchange for the ability to play guitar. In need of money, the four stop at a radio station where they record a vocal as the Soggy Lesser Boys. That night, the trio part ways with Tommy after their car is discovered by the police. Unbeknownst to them, their recording becomes a major hit. They briefly fall in with Baby Face up Nelson and back-trail him on a robbery.
Virtually a river, the group hears singing. They encounter iii women washing wearing apparel and singing. The women drug them with corn whiskey and they lose consciousness. Upon waking, Delmar finds Pete's clothes lying next to him, empty except for a toad. Delmar is convinced the women were sirens and transformed Pete into the toad. Later, ane-eyed Bible salesman Big Dan invites them for a picnic lunch, so mugs them, takes all their coin, and kills the toad.
On their way to Everett's home town, Everett and Delmar see Pete working on a concatenation gang. Upon arriving Everett confronts his married woman Penny, who changed her last name and told their daughters he was dead. He gets into a fight with Vernon, whom she is to marry the side by side twenty-four hours. Later that night, they sneak into Pete'south holding cell and free him. As information technology turns out, the women had dragged Pete away and turned him in to the government. Under torture, Pete gave abroad the treasure's location to the police. Everett so confesses that there is no treasure. He made information technology upwards to convince Pete and Delmar, who were chained to him, to escape with him in order to finish his wife from getting married. He reveals that he got arrested for practicing law without a license. Pete is enraged at Everett, considering he had ii weeks left on his original sentence, and must serve l more than years for the escape.
The trio stumble upon a rally of the Ku Klux Klan, who are planning to hang Tommy. The trio disguise themselves every bit Klansmen and attempt to rescue Tommy. All the same, Large Dan, a Klan member, reveals their identities. Chaos ensues, and the M Magician reveals himself as Homer Stokes, a candidate in the upcoming gubernatorial ballot. The trio rush Tommy away and cut the supports of a large burning cross, leaving information technology to fall on Big Dan.
Everett convinces Pete, Delmar and Tommy to help him win his wife back. They sneak into a Stokes campaign gala dinner she is attention, disguised as musicians. The group begins a performance of their radio hitting. The crowd recognizes the song and goes wild. Homer recognizes them as the group who humiliated his mob. When he demands the grouping be arrested and reveals his white supremacist views, the oversupply runs him out of boondocks on a rail. Pappy O'Daniel, the incumbent candidate, seizes the opportunity, endorses the Soggy Lesser Boys and grants them full pardons. Penny agrees to ally Everett with the condition that he find her original band.
The next morn, the group sets out to retrieve the band, which is inside a cabin in the valley which Everett had earlier claimed was the location of his treasure. The police, having learned of the place from Pete, arrest the grouping. Dismissing their claims of having received pardons, Sheriff Cooley orders them hanged. Just equally Everett prays to God, the valley is flooded and they are saved. Tommy finds the ring in a desk that floats by, and they render to town. Nonetheless, when Everett presents the ring to Penny, it turns out it was her aunt'due south ring. She declares that she will not ally him with that ring, but merely her nuptials band which she cannot recall where she put.
Bandage [edit]
- George Clooney every bit Ulysses Everett McGill. He corresponds to Odysseus (Ulysses) in the Odyssey.[xvi] His singing voice is dubbed by Dan Tyminski.
- John Turturro as Pete. (His last name is never stated in the film) Along with Delmar, Pete represents Odysseus' soldiers who wander with him from Troy to Ithaca, seeking to render home. His singing is dubbed past Harley Allen.
- Tim Blake Nelson as Delmar O'Donnell. Nelson does his ain singing on "In the Jailhouse Now", merely is otherwise dubbed past Pat Enright.
- Chris Thomas Rex as Tommy Johnson, a skilled blues musician. He shares his proper noun and story with Tommy Johnson, a blues musician who is said to take sold his soul to the devil at the Crossroads (also attributed to Robert Johnson).[17] [xviii]
- John Goodman equally Daniel "Big Dan" Teague, a ane-eyed mugger and Ku Klux Klan fellow member who masquerades as a Bible salesman. He corresponds to the cyclops Polyphemus in the Odyssey.[16]
- Holly Hunter equally Penny Wharvey-McGill, Everett's ex-wife. She corresponds to Penelope in the Odyssey.[16]
- Charles Durning as Menelaus "Pappy" O'Daniel, the governor of Mississippi. The grapheme is based on Texas governor West. Lee "Pappy" O'Daniel.[19] He shares a name with Menelaus, an Odyssey character, simply corresponds with Zeus from the narrative.[16]
- Daniel von Bargen as Sheriff Cooley, a ruthless rural sheriff who pursues the trio for the elapsing of the film. He corresponds to Poseidon in the Odyssey.[16] He has been compared to Boss Godfrey in Cool Manus Luke.[20]
- Wayne Duvall as Homer Stokes, a candidate for governor and the leader of a Ku Klux Klan mob. His singing is dubbed by Ralph Stanley.
- Ray McKinnon every bit Vernon T. Waldrip. He corresponds to the Suitors of Penelope in the Odyssey.[xvi]
- Frank Collison equally Washington Bartholomew "Wash" Hogwallop, Pete'southward cousin.
- Michael Badalucco as Baby Face Nelson.
- Stephen Root equally Mr. Lund, a blind radio station director. He corresponds to Homer.[16]
- Lee Weaver every bit the Blind Seer, who accurately predicts the event of the trio's adventure. He corresponds to Tiresias in the Odyssey.[16]
- Mia Tate, Musetta Vander, and Christy Taylor equally the 3 "sirens". Their singing voices are dubbed past Emmylou Harris, Alison Krauss, and Gillian Welch.
Gillian Welch and Dan Tyminski also announced equally a record store customer and a mandolinist, respectively. Del Pentacost, JR Horne, and Brian Reddy appear as members of Pappy O'Daniel's staff. Ed Gale appears equally Homer Stokes' formalism "piddling man." Iii members of the Fairfield Iv (Isaac Freeman, Wilson Waters Jr, and Robert Hamlett) cameo as gravediggers. The Cox Family and The Whites announced as fictionalized versions of themselves.
Production [edit]
The idea of O Brother, Where Art One thousand? arose spontaneously. Work on the script began in December 1997, long earlier the start of production, and was at least half-written past May 1998. Despite the fact that Ethan Coen described the Odyssey as "one of my favorite storyline schemes", neither of the brothers had read the epic, and they were only familiar with its content through adaptations and numerous references to the Odyssey in popular culture.[21] Co-ordinate to the brothers, Tim Blake Nelson (who has a degree in classics from Brown Academy)[22] [23] was the only person on the set who had read the Odyssey.[24]
The title of the film is a reference to the 1941 Preston Sturges picture show Sullivan's Travels, in which the protagonist (a managing director) wants to direct a flick nigh the Groovy Depression called O Brother, Where Fine art K? [11] that will exist a "commentary on modern weather condition, stark realism, and the issues that confront the average man". Lacking any experience in this area, the managing director sets out on a journey to experience the human suffering of the average man only is sabotaged by his broken-hearted studio. The motion picture has some similarity in tone to Sturges's picture, including scenes with prison house gangs and a black church choir. The prisoners at the picture show scene is also a direct homage to a well-nigh identical scene in Sturges's picture show.[25]
Joel Coen revealed in a 2000 interview that he traveled to Phoenix to offering the atomic number 82 function to Clooney. Clooney agreed to practice the office immediately, without reading the script. He stated that he liked fifty-fifty the Coens' least successful films.[26] Clooney did not immediately understand his character and sent the script to his uncle Jack, who lived in Kentucky, asking him to read the entire script into a tape recorder.[27] Unknown to Clooney, in his recording, Jack, a devout Baptist, omitted all instances of the words "damn" and "hell" from the Coens' script, which but became known to Clooney after the directors pointed this out to him during shooting.[27]
This was the fourth picture show of the brothers in which John Turturro has starred. Other actors in O Brother, Where Art Chiliad? who had worked previously with the Coens include John Goodman (three films), Holly Hunter (2), Charles Durning (2) and Michael Badalucco (1).
The Coens used digital color correction to give the film a sepia-tinted look.[13] Joel stated this was considering the actual set was "greener than Ireland".[27] Cinematographer Roger Deakins stated, "Ethan and Joel favored a dry, dusty Delta await with gold sunsets. They wanted it to look like an old hand-tinted picture, with the intensity of colors dictated by the scene and natural pare tones that were all shades of the rainbow."[28] Initially the crew tried to perform the color correction using a concrete process, even so after several tries with various chemical processes proved unsatisfactory, it became necessary to perform the process digitally.[27]
This was the fifth film collaboration between the Coen Brothers and Deakins, and it was slated to be shot in Mississippi at a fourth dimension of yr when the leaf, grass, copse, and bushes would be a lush dark-green.[28] Information technology was filmed near locations in Canton, Mississippi, and Florence, Southward Carolina, in the summertime of 1999.[29] After shooting tests, including film bipack and bleach bypass techniques, Deakins suggested digital mastering be used.[28] Deakins spent 11 weeks fine-tuning the look, mainly targeting the greens, making them a burnt yellow and desaturating the overall image in the digital files.[13] This fabricated information technology the first characteristic picture to exist entirely color corrected by digital ways, narrowly chirapsia Nick Park's Chicken Run.[13]
O Brother, Where Art Thou? was the commencement time a digital intermediate was used on the entirety of a commencement-run Hollywood film that otherwise had very few visual effects. The work was done in Los Angeles by Cinesite using a Spirit DataCine for scanning at 2K resolution, a Pandora MegaDef to adjust the color, and a Kodak Lightning Two recorder to put out to film.[30]
A major theme of the moving picture is the connectedness betwixt old-time music and political campaigning in the Southern U.S. It makes reference to the traditions, institutions, and entrada practices of bossism and political reform that defined Southern politics in the first half of the 20th century.
The Ku Klux Klan, at the fourth dimension a political strength of white populism, is depicted burning crosses and engaging in ceremonial trip the light fantastic toe. The character Menelaus "Pappy" O'Daniel, the governor of Mississippi and host of the radio show The Flour 60 minutes, is like in name and demeanor to W. Lee "Pappy" O'Daniel,[31] one-fourth dimension Governor of Texas and afterwards U.S. Senator from that state.[32] O'Daniel was in the flour business, and used a backing band called the Lite Chaff Doughboys on his radio bear witness.[33] In one campaign, O'Daniel carried a broom, an oft-used campaign device in the reform era, promising to sweep away patronage and corruption.[34] His theme song had the hook, "Please pass the biscuits, Pappy", emphasizing his connexion with flour.[33]
While the picture borrows from historical politics, differences are obvious between the characters in the film and historical political figures. The O'Daniel of the movie used "You Are My Sunshine" equally his theme song (which was originally recorded by singer and Governor of Louisiana James Houston "Jimmie" Davis[35]), and Homer Stokes, equally the challenger to the incumbent O'Daniel, portrays himself as the "reform candidate", using a broom as a prop.
Music [edit]
Music was originally conceived as a major component of the picture, not merely as a background or a support. Producer and musician T Bone Burnett worked with the Coens while the script was all the same in its working phases and the soundtrack was recorded before filming commenced.[36]
Much of the music used in the film is period-specific folk music.[12] The musical selection also includes religious music, including Archaic Baptist and traditional African American gospel, nigh notably the Fairfield 4, an a cappella quartet with a career extending back to 1921 who appear in the soundtrack and as gravediggers towards the film'southward end. Selected songs in the motion-picture show reflect the possible spectrum of musical styles typical of the one-time civilization of the American South: gospel, delta dejection, country, swing and bluegrass.[24] [37]
The utilize of dirges and other macabre songs is a theme that ofttimes recurs in Appalachian music[38] ("O Decease", "Lonesome Valley", "Angel Ring", "I Am Weary") in contrast to bright, cheerful songs ("Proceed On the Sunny Side", "In the Highways") in other parts of the movie.
The voices of the Soggy Bottom Boys were provided by Dan Tyminski (lead vocal on "Man of Constant Sorrow"), Nashville songwriter Harley Allen, and the Nashville Bluegrass Band's Pat Enright.[39] The 3 won a CMA Award for Single of the Year[39] and a Grammy Award for Best Country Collaboration with Vocals, both for the song "Human of Constant Sorrow".[14] Tim Blake Nelson sang the lead vocal on "In the Jailhouse Now".[11]
"Human being of Constant Sorrow" has five variations: ii are used in the pic, one in the music video, and ii in the soundtrack anthology. Two of the variations feature the verses being sung back-to-back, and the other three variations feature additional music betwixt each verse.[40] Though the song received little significant radio airplay, information technology reached #35 on the U.S. Billboard Hot Country Singles & Tracks chart in 2002.[36] [41] The version of "I'll Fly Abroad" heard in the picture show is performed not by Krauss and Welch (as it is on the CD and concert tour), merely past the Kossoy Sisters with Erik Darling accompanying on long-neck v-string banjo, recorded in 1956 for the album Bowling Green on Tradition Records.[42]
Release [edit]
The movie premiered at the AFI Film Festival on October nineteen, 2000, and the United States on Dec 22, 2000.[2] It grossed $71,868,327 worldwide off its $26 million budget.[7] [ix]
Critical reception [edit]
Review assemblage website Rotten Tomatoes gives it a score of 78% based on 154 reviews and an average score of seven.12/ten. The consensus reads: "Though not as good as Coen brothers' classics such as Blood Uncomplicated, the delightfully loopy O Brother, Where Fine art M? is yet a lot of fun."[43] The flick holds an average score of 69/100 on Metacritic based on 30 reviews.[44]
Roger Ebert gave two and a half out of iv stars to the flick, saying all the scenes in the film were "wonderful in their unlike ways, and notwithstanding I left the movie uncertain and unsatisfied".[45]
Accolades [edit]
The film was selected into the principal competition of the 2000 Cannes Film Festival.[8]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref |
|---|---|---|---|---|---|
| Academy Awards | March 25, 2001 | All-time Adapted Screenplay | Ethan Coen Joel Coen | Nominated | [46] |
| Best Cinematography | Roger Deakins | Nominated | |||
| BAFTA Awards | Feb 25, 2001 | Best Screenplay – Original | Ethan Coen Joel Coen | Nominated | |
| Best Cinematography | Roger Deakins | Nominated | |||
| Best Production Design | Dennis Gassner | Nominated | |||
| American Cinema Editors | 2001 | Best Edited Characteristic Film – Comedy or Musical | Ethan Coen Tricia Cooke | Nominated | |
| American Comedy Awards | 2001 | Funniest Actor in a Motion picture (Leading Role) | George Clooney | Nominated | |
| American Club of Cinematographers | 2001 | Outstanding Achievement in Cinematography in Theatrical Releases | Roger Deakins | Nominated | |
| Awards Circuit Community Awards | 2000 | Best Adapted Screenplay | Ethan Coen Joel Coen | Nominated | |
| Best Cast Ensemble | George Clooney John Turturro Tim Blake Nelson Charles Durning Michael Badalucco John Goodman Holly Hunter | Nominated | |||
| Best Art Direction | Dennis Gassner | Nominated | |||
| All-time Cinematography | Roger Deakins | Nominated | |||
| All-time Costume Design | Mary Zophres | Nominated | |||
| BMI Film & TV Awards | 2002 | Special Commendation | T Bone Burnett | Won | |
| British Society of Cinematographers | 2001 | Best Cinematography | Roger Deakins | Won | |
| Cannes Film Festival | 2000 | Palme d'Or | Joel Coen | Nominated | |
| Chicago Film Critics Association Awards | 2001 | Best Cinematography | Roger Deakins | Nominated | |
| Best Original Score | Carter Burwell T Bone Burnett | Nominated | |||
| Dallas-Fort Worth Picture Critics Association Awards | 2001 | Best Picture | O Brother Where Art Thou? | Nominated | |
| All-time Managing director | Joel Coen | Nominated | |||
| Empire Awards | 2001 | Best Histrion | George Clooney | Nominated | |
| European Moving-picture show Awards | 2000 | Screen International Award (USA) | Joel Coen | Nominated | |
| Faro Isle Film Festival | 2000 | Best Film | Ethan Coen Joel Coen | Nominated | |
| Florida Film Critics Circle Awards | 2001 | All-time Soundtrack and Score | Carter Burwell T Bone Burnett | Won | |
| Aureate Globes | January 21, 2001 | Best Motion Movie – Comedy or Musical | O Brother Where Art Thou? | Nominated | [47] |
| Best Performance past an Thespian in a Moving picture – Comedy or Musical | George Clooney | Won | |||
| Grammy Awards | February 27, 2002 | Album of the Yr | Alison Krauss Union Station Tim Blake Nelson Chris Thomas King Emmylou Harris Gillian Welch Harley Allen John Hartford Norman Blake Pat Enright Hannah Peasall Leah Peasall Sarah Peasall Ralph Stanley Sam Bush Stuart Duncan The Cox Family unit The Fairfield 4 The Whites T Bone Burnett Peter Chiliad. Kurland Mike Piersante Gavin Lurssen Jerry Douglas Barry Bales Ron Block Dan Tyminski Cheryl White Sharon White | Won | [48] |
| Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media | T Os Burnett Mike Piersante Peter F. Kurland | Won | |||
| Las Vegas Film Critics Society Awards | 2000 | All-time Cinematography | Roger Deakins | Won | |
| Best Screenplay, Original | Ethan Coen Joel Coen | Nominated | |||
| Best Costume Design | Mary Zophres | Nominated | |||
| London Critics Circle Picture show Awards | 2001 | Moving picture of the Year | O Blood brother Where Art Thou? | Nominated | |
| Screenwriter of the Year | Ethan Coen Joel Coen | Nominated | |||
| MTV Motion picture + Tv Awards | June 2, 2001 | Best On-Screen Squad (The Soggy Bottom Boys) | George Clooney Tim Blake Nelson John Turturro | Nominated | |
| Best Music Moment | "Man Of Constant Sorrow" | Nominated | |||
| Online Film Critics Society Awards | Jan 2, 2001 | Best Original Score | T Bone Burnett Carter Burwell | Nominated | |
| Best Cinematography | Roger Deakins | Nominated | |||
| Phoenix Film Critics Club Awards | 2001 | Best Original Score | T Bone Burnett Carter Burwell | Nominated | |
| Satellite Awards | January fourteen, 2001 | Best Move Picture, One-act or Musical | O Blood brother Where Art Thou? | Nominated | |
| Best Screenplay, Adapted | Ethan Coen Joel Coen | Nominated | |||
| Best Actor in a Picture, Comedy or Musical | George Clooney | Nominated | |||
| Best Actor in a Supporting Office, One-act or Musical | Tim Blake Nelson | Nominated | |||
| Best Actress in a Supporting Part, Comedy or Musical | Holly Hunter | Nominated | |||
| Science Fiction Fantasy Writers of America | 2002 | All-time Script | Ethan Coen Joel Coen | Nominated | |
| Turkish Film Critics Association Awards | 2001 | All-time Foreign Motion picture | O Blood brother Where Art 1000? | Nominated |
Soggy Lesser Boys [edit]
The Soggy Bottom Boys are the fictional musical grouping that the main characters form to serve every bit accompaniment for the motion-picture show. It has been suggested that the name is in homage to the Foggy Mountain Boys, a bluegrass band led past Lester Flatt and Earl Scruggs.[49] In the film, the songs credited to the band are lip-synched by the actors, except that Tim Blake Nelson does sing his own vocals on "In the Jailhouse Now".
The ring'southward hit unmarried is Dick Burnett'due south "Human of Constant Sorrow", a vocal that had enjoyed much success prior to the movie'south release.[50] After the film'due south release, the fictitious ring became then popular that the country and folk musicians who were dubbed into the film got together and performed the music from the film in a Down from the Mountain concert bout, which was filmed for Idiot box and DVD.[12] This included Ralph Stanley, John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Sharp, Stun Seymour, Dan Tyminski and others.
Notes [edit]
- ^ Co-distributed with Universal Pictures in Frg and Italy[4] and Warner Sogefilms in Spain.[4]
- ^ Co-distributed with Universal Pictures.[four]
- ^ Co-distributed with Buena Vista Pictures Distribution.[vii]
References [edit]
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External links [edit]
- O Brother, Where Fine art Grand? at IMDb
- O Blood brother, Where Art Thou? at AllMovie
- O Brother, Where Fine art M? at Box Office Mojo
- O Brother, Where Art Thousand? at Rotten Tomatoes
- "Coenesque: The Films of the Coen Brothers". Archived from the original on Nov 19, 2003.
- "American Myth Today: O Brother, Where Fine art One thousand?". Archived from the original on June 5, 2011. Retrieved October 20, 2009. American Studies at the University of Virginia
Source: https://en.wikipedia.org/wiki/O_Brother,_Where_Art_Thou%3F
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